Fri, 02 Dec 2011 08:38:20 GMT

Review: 'The Dirty Picture'

The general feeling is, 'The Dirty Picture' is a biopic on the life and times of Silk Smitha, a sought-after actress of the 80s.


Review: 'The Dirty Picture'

The general feeling is, 'The Dirty Picture' is a biopic on the life and times of Silk Smitha, a sought-after actress of the 80s. We personally feel that 'The Dirty Picture' draws inspiration from the struggling female actors in the 80s, whose insurmountable and indomitable spirit made them emerge triumphant and create a distinctive space for themselves in the male-dominated industry. It's a recreation of an era, with the makers seeking motivation from a lot of characters to create this one woman.

Let us clear this at the very outset. 'The Dirty Picture' not only draws attention to the life of a sex goddess, but also makes us responsive of the catastrophe behind the facade. Silk -- the principal character in 'The Dirty Picture' -- provides titillation to millions of viewers, but dies a forlorn and heartbreaking death. She battles fame, fortune and alcohol. Brave, daring and provocative, 'The Dirty Picture' doesn't cross the line into impropriety and offensiveness.

First things first! Milan Luthria is brave and intelligent. Brave, because Milan steps out of the comfort zone to narrate the tragic story of an actress. Intelligent, because 'The Dirty Picture' does not develop into a dry and depressing fare at any juncture. This one stresses on -- as Vidya puts it -- entertainment, entertainment and entertainment. Well narrated and wonderfully executed, 'The Dirty Picture' is sure to strike a chord with the avid moviegoer. We'd like to give brownie points to Rajat Aroraa's dynamic script and razor-sharp dialogue. The riveting screenplay and power-packed dialogue will remain etched in our memory for a long, long time, eliciting a similar response like 'Once Upon A Time In Mumbaai'. The writing holds the spectators' interest and doesn't let you digress from the screen, except for a few minutes in the post-interval portions. The portions between Emraan and Vidya slows the narrative, though, we'd like to add, it picks up dramatically when Vidya gets conned by a maker of porn movies. The sequences thereafter, right till the finale, take the film to the crescendo again.

'The Dirty Picture' is embellished with several powerful sequences. Note the sequence when Vidya convinces/seduces Naseeruddin Shah, after he refuses to work with her. It's remarkable. Also, the first encounter with Emraan Hashmi. Noteworthy! Much later, the volatile sequence at the awards ceremony [the intermission point] is amongst the highpoints of the enterprise. The second hour has its share of super moments as well. The one featuring Vidya outside Anju Mahendroo's mansion is super. Vidya's interaction with the two women [individual sequences, both] -- with Naseer's wife first and Shakila, the dancer, next -- packs a solid punch. Vidya's interaction with the maker of porn movies is another shocking twist. The finale, of course, moves you no end.

Vishal-Shekhar deliver a good soundtrack. 'Ooo La La' is easily the song of the year [rendered brilliantly by Bappi Lahiri and Shreya Ghoshal], while 'Ishq Sufiyana' has long legs too. Another striking track is 'Honeymoon Ki Raat'. The choreography of these tracks [Pony Prakash Raj], especially 'Ooh La La', is straight out of the 80s. Bobby Singh's cinematography is magnificent.

Vidya's sizzling show and dare-bare act is sure to seize the viewers by complete astonishment. It's a novel casting because it is nothing like what Vidya has done before and is completely diverse to her image. But let's give Vidya the due: She delivers an astounding performance, pushing the envelope yet again. It wouldn't be erroneous to state that Vidya will walk away with the awards for the sterling act in this film. Besides, she carries off the hot attire without making her character look vulgar or tasteless. In fact, Milan and costume designer Niharika Bhasin Khan have ensured that the sexy-looking persona is aesthetically depicted. Vidya had put on oodles of weight to get the look of the character right and the flabby body only adds a lot of authenticity to the character she depicts on the big screen.

Naseeruddin Shah, who has been cast as an ageing South Indian superstar, sports wigs, dark glasses and painted moustache, reminding people of the stars of that era. He plays to the gallery, provoking claps, laughs and whistles, thus pulling off the role with élan. One has to credit Emraan Hashmi for willing to take on bold, aggressive characters. We actually wondered what prompted the actor to share screen space with Vidya, who has a meatier role and enacts the central character, but he walks his own path throughout the film. He plays the headstrong, hot-blooded, rebellious director to the hilt. Tusshar is wonderfully restrained in a significant role. His sequences with Naseer and Vidya, both are truly fantastic.

Anju Mahendru is first-rate, reminding people of a real-life lady journo, who was hugely popular for her writings in the 80s. Rajesh Sharma, the film-maker who 'discovers' Silk, is outstanding. An actor to watch out for! Shivani Tanskale, enacting the role of Naseeruddin Shah's wife, is perfect. Mangal Kenkre [as Ratnamma] and Imran Hasnee are adequate.

On the whole, 'The Dirty Picture' banks heavily on shock-value, sex-value and most importantly, script-value. It's an exceptional portrayal of an ordinary person's rise from scratch to extraordinary heights and her subsequent fall. Without doubt, it is one of the most comprehensive scripts to come out of the Hindi film industry in 2011.

Source: Bollywood Hungama

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