Review: ‘Snow White and the Huntsman’
Rupert Sanders' revisionist take on the classic Brothers Grimm fable, the first feature from the respected British commercial director, upends expectations of traditional gender roles while simultaneously embracing what a fairy tale should be. It's dark and dangerous, vicious and violent. Yes, there are dwarves and adorable, furry woodland creatures but more often, death is a constant threat.
And yet the performances -- notably from Kristen Stewart as the iconic title character -- don't always live up to the film's visionary promise. First, there's the problem of casting anyone who's supposed to be fairer than Charlize Theron as the evil queen. But beyond Stewart's distractingly inconsistent British accent, she simply lacks the presence to serve as a convincing warrior princess. She's too slight, her Snow White seems too reticent and insecure as she leads her minions into battle, and she still relies on all those Bella Swan tics that define her performances in the 'Twilight' movies: the sulking and sighing, the skittish side glances.
Theron, at the opposite end of the spectrum, tends to get too screechy; with her imposing height, deep voice and mesmerizing beauty, she's far more powerful when she dials it down. She's long been willing to play deeply flawed and even cruel characters, but here she gets downright campy at times. Still, she is always a startling vision to behold in Oscar-winning costume designer Colleen Atwood's dramatic, intricate dresses and crowns.
The look and the energy of 'Snow White and the Huntsman' are what keep it engaging, if a bit overlong.
Theron, as the magical and manipulative Ravenna, has married (and quickly killed) the widower king, locked his daughter Snow White in a tower and plunged a once-peaceful realm into a wasteland of misery and strife. Once Snow comes of age and earns her fairest-of-them-all status, Ravenna's power is threatened, and nothing short of eating the princess' heart will sustain her.
This sets the film's chase in motion: Snow White escapes and Ravenna hires a veteran huntsman (Chris Hemsworth) to track her down in a treacherous place known as the Dark Forest. But instead, this tormented soul ends up becoming her reluctant protector, which means Ravenna must send yet another team of bad guys to find them both. Hemsworth, the hunky 'Thor' star, continues to solidify his intriguing screen presence; he's got the looks and swagger of a bigger, bulkier Brad Pitt but also gets to show off his vulnerability and even some comic timing, too.
And laughs are hard to find around here, which is why it's so surprising to see our old friends the dwarves show up; given that everything else about this telling of the familiar fairy tale is so different, you don't really expect them. There are eight of them, not seven, and they certainly don't whistle while they work; similar to the dwarves in the other Snow White movie this year, the jokey, ornate 'Mirror Mirror', they're scoundrels and thieves making mischief in the forest.
But it's the way they're presented once they meet Snow and the huntsman that's the real surprise, and it may cause you to do a double take. Sanders has rounded up a veritable who's-who of esteemed British character actors -- including Ian McShane, Toby Jones, Bob Hoskins, Ray Winstone, Nick Frost, and Eddie Marsan -- and, through some digital trickery, seamlessly depicted them as little people.
It's just one of many examples of meticulous detail in the film, from the menacing trees that come alive in the Dark Forest to the hauntingly enchanted animals and fairies that greet Snow White and her new posse of pals as they continue along their arduous trek toward safety and, eventually, back to the kingdom to reclaim her rightful throne.
There are no Rodents of Unusual Size, to borrow from 'The Princess Bride', but every other fantastical creature is here so they'd be right at home. And if there were, Snow would be the one to slay them. It's certainly admirable to see this character depicted as a strong, capable woman rather than a damsel in distress, and it's a great role model for girls in the audience (although little kids might find much of the imagery too nightmarish; adults might, too, for that matter).
But it does make you wonder how Snow White, who's been trapped in a tower for the entirety of her adolescence, knows how to ride a horse and wield a sword like some bad-ass in 'Braveheart'.
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